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柳乘风这时候想:“听她的话得反着来听,她说温柔娴淑,多半又是个悍妇了。” 二小姐继续道:“除此之外,举止还很得体……” 柳乘风心里继续想:“不得了,说不准还会打人。” “知书达理……” “大字不识倒是可以原谅。” “貌美如花……” “你妹!居然还是其丑无比……” 二小姐说了一箩筐的好话,最后做了一个总结,幽幽地道:“这样的好的姐姐,若不是看柳公子与她还算般配,才不会便宜了你,你放心便是,你虽是个穷酸秀才,可是我爹说了,婚事都由温家来操办,你只要点了头,便算我们温家的上门女婿了。” 二小姐最后又补上一句:“若是不肯,少不得把你打死了拖出去喂狗。” 她一人既是唱红脸又是唱白脸倒是难为得很,不过说来说去的目的无非一个,就是这门亲事,柳乘风非答应不可。 柳乘风又不是初出茅庐的雏儿,这种鬼话怎么肯听?一脸不屑一顾的样子,昂然道:“我是读书人……” 二小姐立即插口讥讽道:“兰州资源环境职业技术大学人。” 柳乘风的脸色霎时黯然,只好继续道:“不管功名在不在,读的总是圣贤书,这等富贵白送都不要,你不要多言,立即送我回去也就罢了,可还要相逼,那便索性打死我,这亲事,我是万万不应的。” 二小姐的眼眸中掠过杀机,可是犹豫了一下,随即又温柔起来,娇滴滴地道:“你是我未来的姐夫,我若是将你打死了,将来怎生向姐姐交代?你再想一想,也不忙着拒绝,不如这样,我们先喝一口茶再说好吗?
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留爪!大大今天更新了吗?更了。营养液浇灌了吗?浇灌了。

2026-08-06 19:10:14

好想被漫漫搞网恋

2026-08-06 22:18:22

贺朝999

2026-08-06 07:26:46

别扭的所有人

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象”给作者大大捉个虫~

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为竹马完成心愿,我提离婚你哭啥

“这么看来你邀请他参演《武道元图之逆我乾坤》会水到渠成,他不是很会就抓住机会么

洛川v 无厘头

陌上花开尔何不归

歌词对音乐情绪加工的影响:行为与ERP研究 作者: 张伟霞 1 王莞琪 2 周临舒 3 蒋存梅 3 作者单位: 1. 上海师范大学教育学院 2. 上海师范大学商学院 3. 上海师范大学音乐学院, 上海 200234 提交时间: 2023-03-27 摘要: 本研究探讨了歌词对音乐情绪加工的影响。实验1使用情感启动范式, 带有歌词与无歌词音乐片段为启动刺激, 与音乐情绪一致或不一致的面孔图片为目标刺激, 被试任务是既快又准确地判断目标面孔的情绪。结果显示, 无论音乐是否带有歌词, 听者在一致条件下的反应都比不一致条件更快更准确, 这表明听者能加工音乐传达的情绪信息。实验2进一步通过电生理手段探讨歌词影响音乐情绪加工的神经机制。研究结果显示, 尽管听者对带有歌词和无歌词音乐情绪的加工都产生了启动效应, 但是无歌词音乐条件在250~450 ms时间窗口产生了N400效应, 而带有歌词音乐条件在500~700 ms时间窗口诱发了LPC效应, 该结果表明, 歌词影响了大脑加工音乐情绪的时间进程。本研究结果将在一定程度上为音乐与语言关系的探究提供依据。 Abstract: Music and language are unique to the human beings. It has been suggested that music and language have a common origin as an emotional protolanguage. The development of socialisation has resulted in the development of language into a symbolic communication system with explicit semantics. By contrast, music has become an important means of emotional expression. However, whether language with explicit semantics affects the emotional processing of music remains uncertain. Given that songs contain melody and lyrics, previous behavioural studies have focused on songs to analyse the influence of lyrics on the processing of musical emotion. However, several studies have also shown the influence of lyrics, although such findings are relatively contradictory.Thus, the current study used behavioural and electrophysiological measurements to investigate the impact of lyrics on the processing of musical emotion. Experiment 1 analysed whether the emotional connotations in music with and without lyrics could be perceived by listeners at the behavioural level. Experiment 2 further investigated whether there are different neural responses to emotions conveyed by melodies with and without lyrics.A cross-modal affective priming paradigm was used in Experiments 1 and 2, in which musical excerpts served as the prime and emotional faces as target. To avoid the impact of familiarity, 120 musical stimuli were selected from European opera. Each was sung by a vocalist with and without lyrics, thereby resulting in 240 musical stimuli in two versions as potential prime stimuli. A total of 160 facial expressions affectively congruent or incongruent with the preceding musical stimuli were selected as potential target stimuli. Three pre-tests were conducted to ensure the validity of the stimuli. Eventually, 60 musical stimuli for each music version were selected as the prime stimuli, whilst 120 images were used as the target stimuli, thereby resulting in 240 music-image pairs. To ensure that each stimulus appears only once for each participant, two lists were prepared using a Latin square design. Each prime and target was presented in either the congruent or incongruent condition within each list. Thus, each list comprised 120 trials, with 30 trials in each condition. During the experiment, the two lists were equally distributed across the participants. A total of 40 healthy adults participated in Experiment 1. They were asked to judge as quickly and accurately as possible whether the emotion of the target was happy or sad. The accuracy and reaction time were collected. Meanwhile, 20 healthy adults participated in Experiment 2. They were required to judge whether the emotion between music and image was congruent or incongruent whilst their EEG waveforms were recorded. ERPs were analysed and compared between conditions at the time windows of 250~450 ms and 500~700 ms after the onset of the target.The Experiment 1 results showed that when faces were primed by music either with or without lyrics, the participants responded faster and more accurately under affectively congruent condition compared with affectively incongruent condition. This finding indicated that the emotional connotations in music with and without lyrics could both be perceived. The ERP results in Experiment 2 showed that distinct neural mechanisms were activated by music with and without lyrics. Specifically, when faces were primed by music without lyrics, a larger N400 was elicited in response to affectively incongruent pairs than to affectively congruent pairs at the time window of 250~450 ms. However, when faces were primed by music with lyrics, a more positive LPC was observed in response to the affectively incongruent pairs than to the affectively congruent pairs at 500~700 ms. This finding confirms the results of Experiment 1, thereby suggesting that the emotion conveyed by music with and without lyrics could be perceived by the listeners. Moreover, the emotional processing between music with and without lyrics differs in the time course of neural processing. That is, the emotional processing of music with lyrics lagged behind that of music without lyrics.In conclusion, the present results suggest that the neural processing of emotional connotations in music without lyrics preceded that of music with lyrics, although the emotional connotations conveyed by music with and without lyrics could both be perceived. These findings also supported theory of musical philosophy, which suggests that music without lyrics can express emotion more immediately and more directly than music with lyrics owing to the lack of “translation” from the propositional system. On the other hand, considering that lyrics influenced the time course of emotional processing in music with lyrics, our results also provide evidence that the emotional processing of music and language may share neural resources to some extent. 音乐情绪 语言 歌词 N400 LPC 期刊: 心理学报 分类: 心理学 >> 社会心理学 引用: ChinaXiv:202303.08577 (或此版本 ChinaXiv:202303.08577V1 ) DOI:10.3724/SP.J.1041.2018.01346 CSTR:32003.36.ChinaXiv.202303.08577.V1 推荐引用方式: 张伟霞,王莞琪,周临舒,蒋存梅.(2023).歌词对音乐情绪加工的影响:行为与ERP研究.心理学报.doi:10.3724/SP.J.1041.2018.01346 版本历史 [V1] 2023-03-27 16:00:26 ChinaXiv:202303.08577V1 下载全文

表白大囧菌 现实

缠绵一世纪

史书上鼎鼎有名的人物、一代妖妃苏己穿越了! 一睁眼,她成了苏家千金——空有一身美貌、谁见谁欺负的小可怜。 也是黑料无数、糊到十八线的女团小透明。 这不是…满级玩家回到新手村? 世人眼中的妖妃:红颜祸水、祸国殃民。 却不知真正的妖妃——身手了得、十项全能、人狠话不多! 公演舞台,一曲惊鸿舞逆风翻盘! 书法大会,失传已久的华金体惊艳四方! 博物馆内,妖妃陵出土万余件文物举国震惊! 直播间里,宫斗剧同款红玉膏息肌丸一夜回春! 超级豪门裴家有位酷爱追星的时髦老爷子,发誓一定要让苏己当他孙媳妇! 世人都知裴三爷富有四海但薄情寡性,对女人不感兴趣。 黑粉盼着她嫁进去守活寡看好戏。 后来大满贯影后颁奖礼上,苏己恶心想吐。 粉丝以为她病了,只有那个追了她两世的裴三爷一脸心疼:都二胎了,怎么反应还这么大? 世人皆说妖妃祸国殃民,唯他知她招揽天下贤才,知人善任,为后世太平奠定下基石。 前世,他是爱她入髓却不能露面的忠犬大佬,在她死后,为她亲手打造纯金棺材,带着遗憾随她而去。 这一世,定不会再放她走了… [1v1双洁,甜宠虐渣,全能妖妃征服世界

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红楼:指点江山

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无影有踪 掉马

恋爱独步舞

第2090章色情《上兰建国家》之在与殷素素激情1 第二天,王泽杰要带着杨逍他们下山的时候,张三丰突然派人来传话,说如果下山去的话,路过十偃镇,在离镇上十里亭的地方一座名叫清心的庙堂。

就一养猫的 时空穿梭

你啥也不知道你反对什么

秦羽看着这第二块《万人嫌神探凭亿近》,眼睛陡然亮了起来,全部的注意力都完全集中在了这通天图上

冬天的柳叶 机甲

谁错谁对

【评分才出后面会涨,各位大大请放心阅读】 【长生流+男女主都走苟道双向奔赴】 穿越十年,根骨为0,仙路断绝! 直到青梅被仙人带走,我才发现真正的路! 谁说凡骨不能修仙? 【长生苟道系统】,启动! 【沉睡期间可指定技能进行推演、修炼!】 仙丹难求?那我便自创医道延寿! 仙法难学?那我便把武学推演到极致! 元婴老怪?直接被我凡俗一拳打死! 你们夺宝藏、抢机缘,修行步步惊心。 我却收集连杂役弟子都嫌弃的垃圾功法, 用千年万年的时间推演成天地大道! 亿万年后。 昔日青梅已是绝代女帝,却为寿元将尽而绝望。 我从永恒的沉睡中醒来,望着她,微微一笑。 “这世上本没有路,我睡得久了,也便成了路。” “我已经为你铺好一条……比仙途更长的永生路。” “你问我凭什么睡觉就能变强?” “因为此世,我就是天道!”

长江渔父 魔法学院

反英雄今天也在努力

2017年11月,参加浙江卫视演技竞演类励志综艺《恶魔界新生》。

尤然 恐怖

灵异:我在医院摆渡灵魂

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知我暗涌 创业

嫁给有钱人

【重生+开局+无敌+全民 】天赋觉醒当天,校花女友觉醒了最强S级天赋,被保送到最顶尖的学院,而苏星辰却觉醒了最垃圾的天赋,幸好系统激活了,开局一身金色词条。 他要做的, 就是搞钱激活新的金色词条。 突然明白了一件事儿,只要有系统,天赋其实并不是那么重要。 渐渐的。 他感觉不对劲,女神导师穿黑丝要跟他组队,漂亮学姐也要一起,白丝学妹也不傲娇了,白毛御姐也温柔啦,这到底是怎么回事? 苏星辰:服务价格,一千万一次,都去排队~ 回头一看,自己的队友全是女神级。

墨柒公子 双主角

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