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太监
卫阳停顿了下来，细声地说道：“这剑冢不止是欧冶子的铸剑之所，它也是上古圣贤黄帝封剑之地，古老相传，这剑冢深处封印着轩辕黄帝兰州资源环境职业技术大学天下的绝世神兵，轩辕剑。
古典仙侠
【尽量接近历史向+女帝+非爽文+慢热文+女主单身】 【已确定女帝结局，爱堡人士直走一百米右拐去土木堡为你家大明第一明君辨经，作者是某些明粉口中的明黑，无差别攻击明朝除普通百姓外的所有人，作者没有虐女倾向，不会虐待女主对立面的女性，有虐女爱好的不要看】 针对历史有部分改编 主角原型为朱瞻基与胡善祥长女顺德公主 【文案】 穿越成了皇帝的女儿，婴儿朱予焕还没拍手庆祝，就发现了两个大问题。 一，自己是最爱让女儿守寡的明朝皇帝的“掌上明珠”，二，自己的亲妈是无过被废的胡皇后，三，自己只一个妹妹而无兄弟，四，自己的亲爹朱瞻基正在宠爱太孙嫔孙氏，五，自己未来的皇帝弟弟一个是知名瓦剌留学生朱祁镇、一个是捡漏皇位的倒霉蛋朱祁钰。 此时此刻，距离亲爹继位还有四年，距离亲妈被废还有七年，距离土木堡之变还有二十八年。 朱予焕：……不想活了，但觉得该死的另有其人。
星际文明
【无敌】【开局大帝修为】【瑶池圣地】【签到系统】【多女主】【经营宗门】【开局上门讨债】 江无缺穿越修行世界，成为瑶池圣地的一名杂役弟子，在二十五岁时突破入微境后，觉醒签到系统。 挂机签到一万年后，他一出世就是大帝修为。 然而万年过后，瑶池圣地走向衰落，资源被魔门强抢，甚至逼迫圣女结亲。 那日，面对这种情况，江无缺直接显露大帝修为........
万人迷
歌词对音乐情绪加工的影响：行为与ERP研究 作者： 张伟霞 1 王莞琪 2 周临舒 3 蒋存梅 3 作者单位： 1. 上海师范大学教育学院 2. 上海师范大学商学院 3. 上海师范大学音乐学院, 上海 200234 提交时间： 2023-03-27 摘要: 本研究探讨了歌词对音乐情绪加工的影响。实验1使用情感启动范式, 带有歌词与无歌词音乐片段为启动刺激, 与音乐情绪一致或不一致的面孔图片为目标刺激, 被试任务是既快又准确地判断目标面孔的情绪。结果显示, 无论音乐是否带有歌词, 听者在一致条件下的反应都比不一致条件更快更准确, 这表明听者能加工音乐传达的情绪信息。实验2进一步通过电生理手段探讨歌词影响音乐情绪加工的神经机制。研究结果显示, 尽管听者对带有歌词和无歌词音乐情绪的加工都产生了启动效应, 但是无歌词音乐条件在250~450 ms时间窗口产生了N400效应, 而带有歌词音乐条件在500~700 ms时间窗口诱发了LPC效应, 该结果表明, 歌词影响了大脑加工音乐情绪的时间进程。本研究结果将在一定程度上为音乐与语言关系的探究提供依据。 Abstract: Music and language are unique to the human beings. It has been suggested that music and language have a common origin as an emotional protolanguage. The development of socialisation has resulted in the development of language into a symbolic communication system with explicit semantics. By contrast, music has become an important means of emotional expression. However, whether language with explicit semantics affects the emotional processing of music remains uncertain. Given that songs contain melody and lyrics, previous behavioural studies have focused on songs to analyse the influence of lyrics on the processing of musical emotion. However, several studies have also shown the influence of lyrics, although such findings are relatively contradictory.Thus, the current study used behavioural and electrophysiological measurements to investigate the impact of lyrics on the processing of musical emotion. Experiment 1 analysed whether the emotional connotations in music with and without lyrics could be perceived by listeners at the behavioural level. Experiment 2 further investigated whether there are different neural responses to emotions conveyed by melodies with and without lyrics.A cross-modal affective priming paradigm was used in Experiments 1 and 2, in which musical excerpts served as the prime and emotional faces as target. To avoid the impact of familiarity, 120 musical stimuli were selected from European opera. Each was sung by a vocalist with and without lyrics, thereby resulting in 240 musical stimuli in two versions as potential prime stimuli. A total of 160 facial expressions affectively congruent or incongruent with the preceding musical stimuli were selected as potential target stimuli. Three pre-tests were conducted to ensure the validity of the stimuli. Eventually, 60 musical stimuli for each music version were selected as the prime stimuli, whilst 120 images were used as the target stimuli, thereby resulting in 240 music-image pairs. To ensure that each stimulus appears only once for each participant, two lists were prepared using a Latin square design. Each prime and target was presented in either the congruent or incongruent condition within each list. Thus, each list comprised 120 trials, with 30 trials in each condition. During the experiment, the two lists were equally distributed across the participants. A total of 40 healthy adults participated in Experiment 1. They were asked to judge as quickly and accurately as possible whether the emotion of the target was happy or sad. The accuracy and reaction time were collected. Meanwhile, 20 healthy adults participated in Experiment 2. They were required to judge whether the emotion between music and image was congruent or incongruent whilst their EEG waveforms were recorded. ERPs were analysed and compared between conditions at the time windows of 250~450 ms and 500~700 ms after the onset of the target.The Experiment 1 results showed that when faces were primed by music either with or without lyrics, the participants responded faster and more accurately under affectively congruent condition compared with affectively incongruent condition. This finding indicated that the emotional connotations in music with and without lyrics could both be perceived. The ERP results in Experiment 2 showed that distinct neural mechanisms were activated by music with and without lyrics. Specifically, when faces were primed by music without lyrics, a larger N400 was elicited in response to affectively incongruent pairs than to affectively congruent pairs at the time window of 250~450 ms. However, when faces were primed by music with lyrics, a more positive LPC was observed in response to the affectively incongruent pairs than to the affectively congruent pairs at 500~700 ms. This finding confirms the results of Experiment 1, thereby suggesting that the emotion conveyed by music with and without lyrics could be perceived by the listeners. Moreover, the emotional processing between music with and without lyrics differs in the time course of neural processing. That is, the emotional processing of music with lyrics lagged behind that of music without lyrics.In conclusion, the present results suggest that the neural processing of emotional connotations in music without lyrics preceded that of music with lyrics, although the emotional connotations conveyed by music with and without lyrics could both be perceived. These findings also supported theory of musical philosophy, which suggests that music without lyrics can express emotion more immediately and more directly than music with lyrics owing to the lack of “translation” from the propositional system. On the other hand, considering that lyrics influenced the time course of emotional processing in music with lyrics, our results also provide evidence that the emotional processing of music and language may share neural resources to some extent. 音乐情绪 语言 歌词 N400 LPC 期刊： 心理学报 分类： 心理学 >> 社会心理学 引用： ChinaXiv:202303.08577 (或此版本 ChinaXiv:202303.08577V1 ) DOI:10.3724/SP.J.1041.2018.01346 CSTR:32003.36.ChinaXiv.202303.08577.V1 推荐引用方式： 张伟霞,王莞琪,周临舒,蒋存梅.(2023).歌词对音乐情绪加工的影响：行为与ERP研究.心理学报.doi:10.3724/SP.J.1041.2018.01346 版本历史 [V1] 2023-03-27 16:00:26 ChinaXiv:202303.08577V1 下载全文
系统
第2046章色情《厉战锋的震惊》之殷离激情1 这个时候殷离走到王泽杰身前，向着他静静瞧了半晌，隔了良久，慢慢转过身去。
都市异能
玫瑰之下是(今婳)新书,这是一个现代人回到古代，回到一个完全没有任何超凡的真实世界，靠着将一切数据属性化的异能，慢慢崛起的故事。 精彩尽在玫瑰之下
美强惨
穿越HP世界，开局斯莱特林。 可简玉意识到，这个世界在七年后会有一场大战，死伤无数。 为了苟住小命，她坚定了自己要退学回归麻瓜界的信念。 上学不容易，退学还不容易？ 可她发现还真不容易。 当她违反各种校规，教授们反而给她疯狂加分。 当她狂扣学院分，同学们反而对她更加崇拜。 当她试图远离主角，他们反而贴了上来。 七年后，魔法界领军人物，简玉看着不堪一击的伏地魔摇头叹息。 “我只是想退学，你们信吗？”
东方玄幻
【原创剧情+单女主+不拆cp+从面具团开始+修仙文+无敌流】 东方天诚因为一场意外，穿越到了狐妖小红娘世界，成为了东方世家的私生子，并且加入了一气道盟。 就在东方天诚感慨世界危险的时候，他激活"武极系统"。 "叮！" “恭喜宿主，获得天诛剑意！” “叮！” “恭喜宿主，获得万剑归宗！” 面具团的遗憾、王权霸业的遗憾、东方月初的遗憾、王权富贵的遗憾，我来弥补。 “我有一剑万妖跪！！”
虚拟网游
在程潇的身上忘情耸动，给这么猛的一插之下，程潇“啊”的一声，毫无防备之下，一股比破了处女身时还要强烈的痛楚，犹如海潮一般地袭上身来，偏偏花心在这么强烈的狂风暴雨之下，竟涌起了强烈的快感，转瞬间便将那痛楚洗的干干净净，她的欲念犹如烈火上泼洒了油般，一口气冲上了顶点，目翻白眼、形容呆滞，再也无法作出任何反应。 第2110章色情《十分不解》之小昭激情 于是王泽杰钢铁般的大肉棒又在程潇紧缩的嫩屄甬道里开始了又一轮急剧的抽插，他就像一只纵跃入水的青蛙一样，双脚有力的蹬着床单，两膝盖顶着程潇的屁股，宽大的胯部完全陷进程潇的双腿里，全身的重量都汇聚在大肉棒上。 随着王泽杰腰肢上下左右的伸张摆动，随着他聚成肉疙瘩的屁股一上一下、一前一后、一推一拉的猛烈挺动，他的大肉棒也就跟着在程潇的嫩屄甬道里进进出出、忽深忽浅的一下下的狂抽、一次次的猛插。
主神空间
莫非师父又想再谱《又见陈一鸣》
都市怪谈
悠悠点点
啊啊啊啊！！！小段，你最棒了！！
我好喜欢牧流冰,他好像花泽类!,晓溪加油!
姐姐我想你了…何时开文
好可爱哦 万水千山总是情，多给一瓶行不行？行！
晚上好，小池。显而易见，最近我不太好，解离和焦虑好像更严重了。狠下心做了一些决定，看不见前路，但未必会有现在痛苦。时间一点点在流逝，距离我第一次遇见你，好像已经过了很多年。我想我们是老朋友，我也依然习惯性想起你，想起你经历过的事。活着就是体验痛苦，恐怕这是事实。我甚至无法分清自己是深处痛苦之中已经麻木，还是已经失去了痛苦的权利。我并不渴望一段感情，因为我总是期待有人能承受我的所有内心，但没有人想读懂我。不知道这样的日子，这样的生活还能持续多久，但每当痛哭一场，我又好像能再撑一段时间了。今天也说了很多，我又要再一次跟你一起经历你的人生了。晚安小池，晚安61。