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比如他在《小作精》中，人与狗你死我活的对峙，人们的神经随之绷紧，但到最后却无法送出自己的情感倾向，因为你不知道人与狗谁来得更有道理些；

蒸汽火车，道法领域，列国、华夏、世界大战！诸神引导着国家的命运，决定着兴衰和版图；术士活跃在坦克大炮之间，为自己国家前赴后继！决定命运的是谁？核武，还是真君？

大学毕业的江源拒绝996，拿着仅剩的存款承包了家乡那片连鱼苗都养不活的烂水库。亲戚嘲笑，同学不解，就连村里的老钓手都摇头：“那破地方，石头都比鱼多。”可当【超级钓场系统】激活的瞬间，一切都变了。“检测到垂钓人数：1人，鱼类生长速度+10%”“检测到垂钓人数：10人，解锁稀有鱼种培育”“检测到垂钓人数：100人，开启生态调控功能

【重生+疯批+甜宠+无女主】 卫瑾殊重生了，没有家破人亡沦落为奴，没有被仇人送给阴郁嗜杀的摄政王楚燮(xiè)当玩物。 他还是忠勇侯府最娇贵的小公子。 而前世高高在上的疯批摄政王，让卫瑾殊惧怕到腿软的男人，楚燮，正流落民间受尽磨难。 重生后卫瑾殊暗自发狠：去你的摄政王，你千万要好好保重，不要落在小爷手里，否则你这辈子就别想翻身了。 可是……谁让他心软，危急时刻忍不住出手相救，从此就被疯批赖上了。 楚燮：过来！ 卫瑾殊腹诽：现在任人宰割的又不是我，凭什么听你的！ 可身体的记忆更加诚实，乖乖过去接过楚燮手里的密函展开…… 楚燮：可还满意？ 卫瑾殊：你……你个疯子！ 楚燮：这天下所有的阴暗、血腥，我都不会让你沾染半分！

回到仙尊少年时[穿书]是(妾在山阳)新书,这是一个现代人回到古代，回到一个完全没有任何超凡的真实世界，靠着将一切数据属性化的异能，慢慢崛起的故事。 精彩尽在回到仙尊少年时[穿书]

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同年在电视剧《夕殤夜隨筆集》和《为爱找到你》中首次担任女一号。

歌词对音乐情绪加工的影响：行为与ERP研究 作者： 张伟霞 1 王莞琪 2 周临舒 3 蒋存梅 3 作者单位： 1. 上海师范大学教育学院 2. 上海师范大学商学院 3. 上海师范大学音乐学院, 上海 200234 提交时间： 2023-03-27 摘要: 本研究探讨了歌词对音乐情绪加工的影响。实验1使用情感启动范式, 带有歌词与无歌词音乐片段为启动刺激, 与音乐情绪一致或不一致的面孔图片为目标刺激, 被试任务是既快又准确地判断目标面孔的情绪。结果显示, 无论音乐是否带有歌词, 听者在一致条件下的反应都比不一致条件更快更准确, 这表明听者能加工音乐传达的情绪信息。实验2进一步通过电生理手段探讨歌词影响音乐情绪加工的神经机制。研究结果显示, 尽管听者对带有歌词和无歌词音乐情绪的加工都产生了启动效应, 但是无歌词音乐条件在250~450 ms时间窗口产生了N400效应, 而带有歌词音乐条件在500~700 ms时间窗口诱发了LPC效应, 该结果表明, 歌词影响了大脑加工音乐情绪的时间进程。本研究结果将在一定程度上为音乐与语言关系的探究提供依据。 Abstract: Music and language are unique to the human beings. It has been suggested that music and language have a common origin as an emotional protolanguage. The development of socialisation has resulted in the development of language into a symbolic communication system with explicit semantics. By contrast, music has become an important means of emotional expression. However, whether language with explicit semantics affects the emotional processing of music remains uncertain. Given that songs contain melody and lyrics, previous behavioural studies have focused on songs to analyse the influence of lyrics on the processing of musical emotion. However, several studies have also shown the influence of lyrics, although such findings are relatively contradictory.Thus, the current study used behavioural and electrophysiological measurements to investigate the impact of lyrics on the processing of musical emotion. Experiment 1 analysed whether the emotional connotations in music with and without lyrics could be perceived by listeners at the behavioural level. Experiment 2 further investigated whether there are different neural responses to emotions conveyed by melodies with and without lyrics.A cross-modal affective priming paradigm was used in Experiments 1 and 2, in which musical excerpts served as the prime and emotional faces as target. To avoid the impact of familiarity, 120 musical stimuli were selected from European opera. Each was sung by a vocalist with and without lyrics, thereby resulting in 240 musical stimuli in two versions as potential prime stimuli. A total of 160 facial expressions affectively congruent or incongruent with the preceding musical stimuli were selected as potential target stimuli. Three pre-tests were conducted to ensure the validity of the stimuli. Eventually, 60 musical stimuli for each music version were selected as the prime stimuli, whilst 120 images were used as the target stimuli, thereby resulting in 240 music-image pairs. To ensure that each stimulus appears only once for each participant, two lists were prepared using a Latin square design. Each prime and target was presented in either the congruent or incongruent condition within each list. Thus, each list comprised 120 trials, with 30 trials in each condition. During the experiment, the two lists were equally distributed across the participants. A total of 40 healthy adults participated in Experiment 1. They were asked to judge as quickly and accurately as possible whether the emotion of the target was happy or sad. The accuracy and reaction time were collected. Meanwhile, 20 healthy adults participated in Experiment 2. They were required to judge whether the emotion between music and image was congruent or incongruent whilst their EEG waveforms were recorded. ERPs were analysed and compared between conditions at the time windows of 250~450 ms and 500~700 ms after the onset of the target.The Experiment 1 results showed that when faces were primed by music either with or without lyrics, the participants responded faster and more accurately under affectively congruent condition compared with affectively incongruent condition. This finding indicated that the emotional connotations in music with and without lyrics could both be perceived. The ERP results in Experiment 2 showed that distinct neural mechanisms were activated by music with and without lyrics. Specifically, when faces were primed by music without lyrics, a larger N400 was elicited in response to affectively incongruent pairs than to affectively congruent pairs at the time window of 250~450 ms. However, when faces were primed by music with lyrics, a more positive LPC was observed in response to the affectively incongruent pairs than to the affectively congruent pairs at 500~700 ms. This finding confirms the results of Experiment 1, thereby suggesting that the emotion conveyed by music with and without lyrics could be perceived by the listeners. Moreover, the emotional processing between music with and without lyrics differs in the time course of neural processing. That is, the emotional processing of music with lyrics lagged behind that of music without lyrics.In conclusion, the present results suggest that the neural processing of emotional connotations in music without lyrics preceded that of music with lyrics, although the emotional connotations conveyed by music with and without lyrics could both be perceived. These findings also supported theory of musical philosophy, which suggests that music without lyrics can express emotion more immediately and more directly than music with lyrics owing to the lack of “translation” from the propositional system. On the other hand, considering that lyrics influenced the time course of emotional processing in music with lyrics, our results also provide evidence that the emotional processing of music and language may share neural resources to some extent. 音乐情绪 语言 歌词 N400 LPC 期刊： 心理学报 分类： 心理学 >> 社会心理学 引用： ChinaXiv:202303.08577 (或此版本 ChinaXiv:202303.08577V1 ) DOI:10.3724/SP.J.1041.2018.01346 CSTR:32003.36.ChinaXiv.202303.08577.V1 推荐引用方式： 张伟霞,王莞琪,周临舒,蒋存梅.(2023).歌词对音乐情绪加工的影响：行为与ERP研究.心理学报.doi:10.3724/SP.J.1041.2018.01346 版本历史 [V1] 2023-03-27 16:00:26 ChinaXiv:202303.08577V1 下载全文