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歌词对音乐情绪加工的影响：行为与ERP研究 作者： 张伟霞 1 王莞琪 2 周临舒 3 蒋存梅 3 作者单位： 1. 上海师范大学教育学院 2. 上海师范大学商学院 3. 上海师范大学音乐学院, 上海 200234 提交时间： 2023-03-27 摘要: 本研究探讨了歌词对音乐情绪加工的影响。实验1使用情感启动范式, 带有歌词与无歌词音乐片段为启动刺激, 与音乐情绪一致或不一致的面孔图片为目标刺激, 被试任务是既快又准确地判断目标面孔的情绪。结果显示, 无论音乐是否带有歌词, 听者在一致条件下的反应都比不一致条件更快更准确, 这表明听者能加工音乐传达的情绪信息。实验2进一步通过电生理手段探讨歌词影响音乐情绪加工的神经机制。研究结果显示, 尽管听者对带有歌词和无歌词音乐情绪的加工都产生了启动效应, 但是无歌词音乐条件在250~450 ms时间窗口产生了N400效应, 而带有歌词音乐条件在500~700 ms时间窗口诱发了LPC效应, 该结果表明, 歌词影响了大脑加工音乐情绪的时间进程。本研究结果将在一定程度上为音乐与语言关系的探究提供依据。 Abstract: Music and language are unique to the human beings. It has been suggested that music and language have a common origin as an emotional protolanguage. The development of socialisation has resulted in the development of language into a symbolic communication system with explicit semantics. By contrast, music has become an important means of emotional expression. However, whether language with explicit semantics affects the emotional processing of music remains uncertain. Given that songs contain melody and lyrics, previous behavioural studies have focused on songs to analyse the influence of lyrics on the processing of musical emotion. However, several studies have also shown the influence of lyrics, although such findings are relatively contradictory.Thus, the current study used behavioural and electrophysiological measurements to investigate the impact of lyrics on the processing of musical emotion. Experiment 1 analysed whether the emotional connotations in music with and without lyrics could be perceived by listeners at the behavioural level. Experiment 2 further investigated whether there are different neural responses to emotions conveyed by melodies with and without lyrics.A cross-modal affective priming paradigm was used in Experiments 1 and 2, in which musical excerpts served as the prime and emotional faces as target. To avoid the impact of familiarity, 120 musical stimuli were selected from European opera. Each was sung by a vocalist with and without lyrics, thereby resulting in 240 musical stimuli in two versions as potential prime stimuli. A total of 160 facial expressions affectively congruent or incongruent with the preceding musical stimuli were selected as potential target stimuli. Three pre-tests were conducted to ensure the validity of the stimuli. Eventually, 60 musical stimuli for each music version were selected as the prime stimuli, whilst 120 images were used as the target stimuli, thereby resulting in 240 music-image pairs. To ensure that each stimulus appears only once for each participant, two lists were prepared using a Latin square design. Each prime and target was presented in either the congruent or incongruent condition within each list. Thus, each list comprised 120 trials, with 30 trials in each condition. During the experiment, the two lists were equally distributed across the participants. A total of 40 healthy adults participated in Experiment 1. They were asked to judge as quickly and accurately as possible whether the emotion of the target was happy or sad. The accuracy and reaction time were collected. Meanwhile, 20 healthy adults participated in Experiment 2. They were required to judge whether the emotion between music and image was congruent or incongruent whilst their EEG waveforms were recorded. ERPs were analysed and compared between conditions at the time windows of 250~450 ms and 500~700 ms after the onset of the target.The Experiment 1 results showed that when faces were primed by music either with or without lyrics, the participants responded faster and more accurately under affectively congruent condition compared with affectively incongruent condition. This finding indicated that the emotional connotations in music with and without lyrics could both be perceived. The ERP results in Experiment 2 showed that distinct neural mechanisms were activated by music with and without lyrics. Specifically, when faces were primed by music without lyrics, a larger N400 was elicited in response to affectively incongruent pairs than to affectively congruent pairs at the time window of 250~450 ms. However, when faces were primed by music with lyrics, a more positive LPC was observed in response to the affectively incongruent pairs than to the affectively congruent pairs at 500~700 ms. This finding confirms the results of Experiment 1, thereby suggesting that the emotion conveyed by music with and without lyrics could be perceived by the listeners. Moreover, the emotional processing between music with and without lyrics differs in the time course of neural processing. That is, the emotional processing of music with lyrics lagged behind that of music without lyrics.In conclusion, the present results suggest that the neural processing of emotional connotations in music without lyrics preceded that of music with lyrics, although the emotional connotations conveyed by music with and without lyrics could both be perceived. These findings also supported theory of musical philosophy, which suggests that music without lyrics can express emotion more immediately and more directly than music with lyrics owing to the lack of “translation” from the propositional system. On the other hand, considering that lyrics influenced the time course of emotional processing in music with lyrics, our results also provide evidence that the emotional processing of music and language may share neural resources to some extent. 音乐情绪 语言 歌词 N400 LPC 期刊： 心理学报 分类： 心理学 >> 社会心理学 引用： ChinaXiv:202303.08577 (或此版本 ChinaXiv:202303.08577V1 ) DOI:10.3724/SP.J.1041.2018.01346 CSTR:32003.36.ChinaXiv.202303.08577.V1 推荐引用方式： 张伟霞,王莞琪,周临舒,蒋存梅.(2023).歌词对音乐情绪加工的影响：行为与ERP研究.心理学报.doi:10.3724/SP.J.1041.2018.01346 版本历史 [V1] 2023-03-27 16:00:26 ChinaXiv:202303.08577V1 下载全文

【日常甜文 | 轻松无刀 | 暗恋成真 | 青梅天降 】【原名：救命！住在我家的美少女疯狂白给】 许曜单身了十八年，直到某天，一个名为洛卿月的天才钢琴少女来到了他的家......他的生活发生了翻天覆地的改变。 —— [许曜哥，你人真好，这个豆浆很好喝。] [许曜哥，我住在你这里，又没要我的房租费，所以算是同居吧？] [许曜哥，你做菜那么好吃，可不可以教我啊？将来，我要做给我的老公吃。] [许曜哥，我来帮你洗衣服吧，不可以拒绝哦，因为我，不喜欢白吃白住。] ♬ 【哼，这年头，美少女路痴走错房间什么的，是可以原谅的吧？•́‸ก】 ♥ 『二次元正直纯情作家X傲娇明艳少女钢琴家』 . 十八岁那年，许曜再次见到了小月亮，那个软软糯糯，喜欢喊他哥哥的洛卿月。 时隔多年未见，她已经成为了小有名气的少女钢琴家。 . ☾˚‧º· ☾˚‧º· 六岁时，洛卿月有两个理想： ①我长大了，要成为一名少女钢琴家。 ②我长大了，要当阿曜哥哥的老婆。 ♥ 『让我心动了一次又一次的男生，他的名字叫许曜。』 这是二次元的少年和有理想的少女..互相靠近的小甜饼。人设均已成年 这狗粮又稳又快，请各位读者放心食用！

雪白修长的玉腿包裹着黑色玻璃丝袜，柔嫩的双脚踩蹬着红色的高跟鞋，但她那颀长曼妙、风姿绰约的体态，那充满撩人风味的发型和她那仿如精雕细琢过的姣美脸蛋，浑身洋溢着少妇的迷人丰韵，洁白圆润的粉臂，落落大方，体贴入微，充满着成熟女性所特有的迷人清香。 罗西·琼斯现在才是24岁，容貌年轻秀丽，她的身材也是完美的没得说的，丰满如蜜桃般翘挺的玉峰，圆浑又富有弹性的臀部，配合上那高挑的身材，完美的“S”形曲线让人眼前一亮。 罗西·琼斯原本棕色的长发向后高高盘起，一张长有暗含春水的眼睛和红润嘴唇的美丽面颜，苗条的腰肢，几分丰满而又坚挺，微翘轻摆的臀部使得她只能把这让任何男人见到都会热血沸腾、欲火焚身的傲人娇躯隐藏在高贵的长裙之中。 在电视里的时候，罗西·琼斯就是有“性感宝贝”的美名，她拥有所有女人羡慕的丰满G罩豪乳，特别是她RosieJones成为了KONAMI公司的游戏《重生征服》和《地平线低配版》的官方宝贝的时候，更是让王泽杰看得口水直流，多少次午夜梦回，他的大脑中都闪现着性感宝贝赤裸着雪白的胴体，妩媚的对自己微笑的情景。

另外这部戏还蕴含着四类人的人生，就如男主角谢原在戏里所说的：天分，没才华，没演技，有运气的，像他自己，有天分，有才华，有演技，没运气的，像李奇，没天分，没才华，没演技，没运气的，像乔峰，那么加上芳芳和宝珠应该是有天分，有实力，有本事，也有运气，这四类人也就大体构成了《板式脉动热管的磁流体实验研究》这部戏的人生

【恶毒美人+修罗场+黑化+正文无cp+强制+全员恶人+万人迷+男女通吃+剧情慢热】 谢星然是个恶毒美人，人干的事他干，人不干的事情也干，心情好时，欺男霸女，心情不好时，继续欺男霸女，顺便踢路边流浪狗一脚。 知道他本性的谢家人，因此一直将他管的很严。 但尽管如此，谢星然还是把自己给成功作死了。 望着那具冰冷的尸体，所有人都悲痛欲绝。 幸好上天垂怜，所有人得以重生，望着还在不断作死的谢星然，他们的眼神逐渐变得幽暗。

至于修炼速度，杨硕发觉到，十三分契合度的《曝热火森林狼有意追逐伦纳德》，修炼速度相比之前十二分契合度的时候，并没有什么明显的改善，速度基本上还是老样子，没有出现真气狂飙的情况。

【双男主+1v1双洁+攻救赎受】 温柔纯情小狗攻x毒舌傲娇美人受 林砚穿书了，穿成了在雪地里即将冻死的炮灰，面前站着刚被正道围剿，浑身是血的大反派——谢雪臣。 系统只留给了他一个拯救反派的任务就消失了。 为了活命，林砚哆哆嗦嗦地冲上去，用单薄的身体挡在魔头身前。 谢雪臣没杀他，却也没放他，而是把他带回了魔宫。 林砚（攻）x谢雪臣（受）

当年自己完全掌握《如花女子》九百卷的阵法，悟出阵道第一境界，便自认了不得